Betwixt and Between (1937) - Essays on searching for meaning in life, poverty, and childhood.
Nuptials (1938) - Essays introducing his concept of the absurd and the nature of suicide and human mortality.
The Outsider (1942) - A story that follows a French Algerian settler, who impulsively murders an unnamed man. It explores the societal pressures on one's actions and delves into Camus’ absurdism.
The Myth of Sisyphus (1942) - A complete account of the absurd and the subsequent human responses to it, and the concepts parallel to the story of Sisyphus.
The Plague (1947) - A story centered in the city of Oran that undergoes a severe plague and quarantine. It explores the power and freedom that humans have as subjects of the world.
The Rebel (1951) - An examination of historical rebellions in light of the absurd he expounds upon in other books.
The Fall (1956) - The story and crisis of a Wealthy and successful French lawyer, in recollecting and introspecting upon his life. It explores the nature of guilt and judgement.
Algerian Chronicles (1958) - Camus’ own opinions on the Algerian war for independence, as a French settler born and raised in Algeria.
Notebooks 1935–1942 (1963) - Personal musings and notes that serve somewhat as autobiography and as a look into Camus’ philosophy.
Notebooks 1942–1951 (1965) - Similar to Notebooks 1935-1942.
Lyrical and Critical Essays (1968) - A collection of essays that contextualize Camus’ philosophical development.
Resistance, Rebellion, and Death (1944 / Posthumous) - A collection of essays closely related to The Rebel, examining rebellion and war particular to his time.
American Journals (1987) - An autobiographical account of Camus’ travels to the Americas
Notebooks 1951–1959 (2008) - Similar to the previous notebooks.
A Happy Death (1971 / Posthumous) - A story that explores the “will to happiness” and asks how one can deliberately create happiness in one’s life.
The First Man (Unfinished) - A relatively less philosophical story around a young boy and his experiences growing up with a disabled mother and no father in Algeria, presumably reflecting on Camus' own upbringing.